Item(s) for the ‘Announcements’ Category

Wednesday
Aug 20,2008

“Season 3 of e2 design comprises six episodes: a profile of Aga Khan’s Al-Azhar Park in Cairo, a 500-year-old dump-turned-”urban lung”; Canadian architect Brian MacKay-Lyons, who applies Nova Scotia’s design pragmatism to projects around the world; Melbourne’s transformation from a tired, vacant city into a thriving, sustainable metropolis; the inspired efforts of world-class architect Renzo Piano to integrate the natural world into his design for San Francisco’s elegant, environmentally responsive natural history museum; the efforts to rebuild New Orleans’ Lower 9th Ward in a way that is environmentally, culturally and socially sustainable; and the visionary Amsterdam architects transforming recycled materials into modern design masterpieces.”

Look for the series to debut on PBS starting August 22nd. More details available here.

Monday
Aug 11,2008

faithwithoutfear.jpg Yasmin Virani proudly presents a screening of Irshad’s Manji’s latest – Emmy Award Nominated – documentary, Faith Without Fear. Love her or hate her – join us for coffee and cheesecake, at 3:00pm on Sunday August 17th/2008, at The Drake Hotel (1150 Queen Street).

‘In an era in which Islam is often portrayed in the media as harsh and violent and Muslims as fundamentalist fanatics, Faith Without Fear offers a complex and multi-faceted inquiry into one of the world’s great religions, from the perspective of a woman who is dissenting, yet deeply engaged with her faith.’

YOU’VE HEARD ALL ABOUT HER BOOK …
HERE’S YOUR CHANCE TO WATCH HER FILM

SHE’S A WOMAN …’Bigger, much bigger, than girl meets god.’
-O, The Oprah Magazine

SHE’S A LESBIAN …’Hot with revolutionary questions, anger, and challenges!’
- The Independant (UK)

AND SHE TALKS ABOUT ISLAM … ‘Osama bin Laden’s worst nightmare!’
- United Press International’

Tickets Only: $15.00
Students: $10.00

RSVP @ www.yasminvirani.com

Monday
Aug 11,2008

illustratedhistory.jpgThe IIS has just launched The Ismailis: An Illustrated History which was authored and edited by Dr. Farhad Daftary and Dr. Zulfikar Hirji (Class of 1997). Dr. Hirji is currently Assistant Professor of Anthropology at York University, Toronto. Other IIS alumni who were involved with the book were Dr. Fahmida Suleman (Class of 1997), Dr. Miriam Ali-de-Unzaga (Class of 2000) and Alnoor Merchant (Class of 1987).

The Illustrated History is based on the most recent academic research on Ismaili and Islamic history, and is meant for the general reader. The book has four main chapters that take the reader from the advent of Islam and the formation of the Shi‘a through to the historical developments that led to the formation of the Ismailis and their history up until the present-day. Each chapter contains a synopsis, maps and chronology of key events, as well as special sections devoted to important figures, themes and events in Islamic, Shi‘i and Ismaili history. Many of the beautiful images of manuscripts and objects in the book are found in private and public collections, and some are here published for the first time. The book also narrates the history of the Ismailis using contemporary and historical photographs of places and landscapes.

When Zul was asked about the book he commented that, ‘When I conceptualized the book, I imagined taking the reader on a journey through time, across continents, over valleys and mountains, and between oceans. I wanted readers to imagine themselves walking through the city of Cairo, feeling the isolation and majesty of living in a fort or castle perched on the roof of the world, and sailing across the ocean to a new frontier. Ismaili history for me is very much about constant movement and the ever-evolving understanding of faith and the meaning of life. To capture this spirit of movement, the book often juxtaposes materials from a variety of sources in different formats. The production of the book has itself been a journey of discovery. In the process, we have found new materials on Ismaili history, particularly in terms of manuscripts, objects and photographs, and re-thought the role and place of extant materials.’